Typically there are 2 types of sounds that drive into a microphone, direct sound and indirect sound. Indirect sound is produced by speakers then reflected from the walls and ceiling of the room, so the structure of a room determines the sound quality. Usually the recording studio is built based on the structure that works the best for the acoustic resonance. On the other hand, when recording at home, since the desired acoustic soundings have probably not been taken into consideration when the room was constructed, reflected sound usually has a detrimental effect on the sound quality. Since the TM-AR1, with its sound-absorbing material, will absorb this reflected sound, the sound entering the microphone will be largely direct sound. The indirect sound will be low level, resulting in a clearer sound that will be easier to adjust.

The TM-AR1 is made up of five panels. All of these panels have the same structure, with multiple oval mounting holes and the sound absorbing material formed with acute angles. In particular, the sound-absorbing material used is the same as found in professional recording studios and rooms where acoustics need to be controlled. The soft foam has a special molded shape that reduces further propagation of outside sounds once they have reached the panels. Sounds coming from outside are reflected or are either reflected by the panel or absorbed by the sound-absorbing material.

Consisting of 5 panels can be easily folded from both sides for space-saving when not in use. It is also possible to adjust the panel positions while recording. Each side of the panels can be narrowed in order to achieve the dry sound. On the other hand, if the panel is wide open, it will absorb more reflection that may affect the sound. Therefore, the sound quality is determined by the angle adjustments of the control filter.

With two microphone stands, the TM-AR1 can be installed on both stands using the brackets on the back of the unit. With one microphone stand, then the included support bar and slide bar can be used with the microphone. Using two microphone stands is recommended for better stability and flexibility.

The position of the microphone can be easily adjusted by the slide bar. There are also two support bars included to adjust the height of the microphone. You can use either one depending on the sizes of the microphone and the suspension shockmount. If the microphone is sticking out from the panel when using the long support bar, please switch to the short one.
A large sized microphone and suspension shockmount, such as the TM-280 requires the long support bar; a small or medium-sized microphone and suspension shockmount such as the TM-180 requires the short support bar.