DR-60DMKII
4-TRACK AUDIO FIELD RECORDER & MIXER FOR AUDIO/VIDEO
TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera’s microphone in.
- Recording media : SD card(64MB to 2GB), SDHC card(4GB to 32GB)
- Number of channels : 4-channel (stereo x2)
- Power : Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P520U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
- Dimensions : 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
- Weight : 605g(including battery), 510g (not including batteries)
- Simultaneously record up to 4 tracks
- Recording format: 44.1/48/96kHz, 16 or 24-bit, WAV/BWF
- TASCAM HDDA microphone preamps wth 120dB EIN and 64dB of gain
- Two combo XLR/TRS inputs support +4dBu mic/line level input
- Phantom power to channels 1/2 (24V or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60DmkII mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- DR-60DMKII × 1
- USB cable × 1
- Owner's Manual (including warranty) × 1
- TASCAM ID registration guide × 1
Multiple Record Modes Meet Any Challenge On-Set
The DR-60DmkII includes several recording modes to adapt to any recording scenario:
MONO/DUAL MONO mode:
Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic
STEREO/DUAL STEREO mode:
These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
4CH mode:
This mode records all four microphone inputs to their own tracks.
DUAL MONO and DUAL STEREO mode:
Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn’t distorted
A Variety of Inputs and Outputs With Internal Mixing
The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation. Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a powerful Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable. The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hipass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls.
High-Quality HDDA Mic Preamps
High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility. A CIRRUS LOGIC's AD converter (used also on the DR-40 portable recorder) is used to ensure detailed recording from any input signal.
Dedicated Camera Output
The CAMERA OUT connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in editorial.
Most modern editors – including Final Cut Pro X and Adobe Premiere – include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process.
Slate Tone Generator for Tighter Lock
The internal slate tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways:
Automatic: Tones are added to the head or the head and tail of each clip (from 0.5 – 3 sec)
Manual: Push the SLATE button to record a tone
Additional Features
Ch 3 & 4 Inputs Support High-Output Microphones
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Tripod Mounting on Top and Bottom
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Lightweight Body Designed for Rugged Portability
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Features at a Glance
- Simultaneously record up to 4 tracks
- Recording format: 44.1/48/96kHz, 16 or 24-bit, WAV/BWF
- TASCAM HDDA microphone preamps wth 120dB EIN and 64dB of gain
- Two combo XLR/TRS inputs support +4dBu mic/line level input
- Phantom power to channels 1/2 (24V or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60DmkII mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Tripod mounting socket (bottom) and mounting screw attachment (top)
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Low cut filter (40/80/120Hz)
- Limiter (1/L and 2/R can be selected for linked operation)
